Stargate SG1 x9 Star Trek: The Next Generation x6 Star Trek: Nemesis x2 Star Trek: Picard x1 Star Trek: Deep Space 9 x3 Star Trek: Voyager x3 Star Trek: Lower Decks x5 Star Trek: Prodigy x1 Star Trek cast photos x2 DCU x4
It's been a hard, uh, decade. It's okay if you need a hug ... or 36.
"Reply to this post saying 'icon', and I will tell you my favourite icon of yours. (If you want to) post this to your own journal using your own favourite icon!"
How long have you belonged to this community? What attracted you to it? How often do you play?
I'm not exactly sure when I joined, but I joined specifically to help Vexed_Wench host the first round of Winterfest in July (then called Christmas in July Bingo) in 2014. Vexed made creative bingo sound really fun and I liked how we could do fills with anything of any medium and make our own cards. I honestly try to play every month, but I'm lucky if I make one bingo a year. I do cohost two reoccurring bingos a year, though (Winterfest in July and Fall Fest).
What do you like best about creative bingo? Do you feel that it helps you as a creative person?
I like how it's a different way to present creative prompts, a bit like a chose your own adventure book, or a table with extra gamification. I like creative bingo at allbingo specifically because of how open to interpretation and open ended possibilities of what kind of fills you can do. I think it helps me as a creative person. The different themes everyone comes up with helps spark ideas I wouldn't have had otherwise.
What are some of your favorite bingo themes? Are those single events, recurring, or a mix of both?
Aside from themes I've hosted/,co-hosted, my favorite themes have been (they are a mix of single events and reoccurring): Valentines Fest Tolkien Bingo Fest British Library Crime Classics National Craft Month Teenage Mutant Ninja Turtles Pride Bingo Sleepy Bear Bingo Amnesty Meet-Ugly Fest Tarot Fest Summer in December
Do you participate in other bingo communities? If so, what are some of your favorites?
Not really anymore. Pretty much all of them I used to participate in have shut down. I do enjoy whatif_au's annual anniversary bingo challenge. This is their 3rd year. The round goes from April until the end of July.
Do you typically create fills in the same format or fandom, or spread them out over different kinds? What will readers find in your work?
I used to do primarily crafts, but now do more fics. It's still a mix. One bingo, I did all book rec lists for fills and I've done playlists for fills too. I do write for a large variety of fandoms and original fiction, but you are most likely to find short ficlets for Stargate SG-1, Stargate Atlantis, Supernatural, or Batman.
Have you ever made blackout (filled all the prompts on a card)? If so, how many times?
Yes, I have, usually only when I have a 2x2 card. I don't know how many times. It's been more than once, but it's not the norm.
Have you ever hosted a bingo fest here? If so, what was your favorite theme(s)? If not, what themes might you fantasize about hosting?
I have and do! I co-host the reoccurring Winterfest in July (since 2014) and Fall Fest Bingo (since 2015) with Vexed_Wench. I also hosted End of Summer Bingo in 2019 and co-hosted iPod Shuffle Music Fest with Kiramaru7 in 2016.
Negative electricity prices for a while in there today meant: Much More Laundry (most of which is dry), surprise and delight at A running the underfloor heating in the bathroom (WOM FEET); b r e a d; experimental autopyrolitic oven cleaning.
Put your mp3 player/phone/streaming collection on shuffle, and write down the first line of the first twenty songs. Post the poem that results.
Folks, I mostly listen to Final Fantasy music, which is largely instrumental! I don't think writing 20 lines of "Doo doo doo doo DOOO doo, doo-doo-doo doo doo doo doo doo" would make a good poem. Still, I wanted to give this a try, so I did the following:
1. Have iTunes set to Autoplay, which is its default mode now. 2. Play songs until one with lyrics played. 3. Write down the first line, if it was the first time the song appeared. 4. Write down the part of the refrain, if it was the second time the song appeared.
I did take some liberties now and then. Technically, the songs from NieR: Automata (which I have not played but listened to, thanks to FFXIV) do have lyrics but they have made-up lyrics, so I opted to skip over those. I also opted for a full phrase on many songs because I thought it made more impact. For "Wayward Daughter" I chose the first line in English. Finally, I limited it to 10 songs because they were starting to get repetitive.
Here's the result:
Seeking the peace of reason ("Locus" - FFXIV: Heavensward)
Westward lies bleed t'ward the east ("Wayward Daughter" - FFXIV: Stormblood)
Staring at death, I take a breath, there's nothing left ("Oblivion - Never Let It Go Version" - FFXIV arrangement albums]
Specie tua tantum carnem adme omnes habet cultum. [Through you alone there will be worship.] ("Apocalypsis Aquarius" - FFXV)
For whom weeps the storm / Her tears on our skin / The days of our years gone / Our souls soaked in sin / These memories ache with the weight of tomorrow ("Shadowbringers", FFXIV: Shadowbringers)
Wanting, I lie / Too weary to die / Too lost to the ice for saving / My sins claim me, untame me ("Return to Oblivion" - FFXIV: Shadowbringers)
Beneath the gazing stars / Vales deep and forests dark / Betrayed by loyal hands, Her wrath stirred ("Heavensward", from the FFXIV expac of the same name)
Let go this destiny, you're caught in a trance / Ever marking time inside a dream, no sign of advance ("Band: Locus" - FFXIV arrangment albums)
The road that we walk / Is lost in the flood / Here proud angels bathe in / Their wages of blood / At this, the world's end, do we cast off tomorrow ("Insatiable", FFXIV:Shadowbringers)
These voices screaming to let it go (never let go) / This time I'm screaming back no no no (go on say no) / My mind's made up, yeah my fear is gone (Where have you gone?) / Open my eyes now here I come, oblivion ("Oblivion - Never Let It Go Version" - FFXIV arrangement albums]
LOTS OF FFXIV. But yeah, the soundtracks that I own are mostly FFXIV soundtracks, so that's what iTunes thinks I want to hear.
This is the full list of songs that played, minus one from Animal Crossing that was thrown at me that I didn't include because I don't play Animal Crossing. So, 25 songs (including the Animal Crossing) one to get my 10 lines, and some of those ten songs were duplicates.
Full listLocus [FFXIV: Heavensward] Westward Tide [FFXIV: Stormblood] Wayward Daughter [FFXIV: Stormblood] Home Sweet Home [Final Fantasy XV: Episode Prompto] City Ruins - Rays of Light [from NieR: Automata, but also FFXIV: Shadowbringers) Oblivion - Never Let It Go Version [Final Fantasy XIV: Heavensward] No Risk, No Reward [FFXVI, arrangement by Husky by the Geek] Battle Theme (FFX) "Apocalypsis Aquarius" [FFXV] "Rolanberry Fields" [FFXI, arranged by the Nanaa Mihgo's] "Crimson Sunset (Piano)" [FFXIV: Stormblood] Shadowbringers [FFXIV, from expac of same name] The Sanctuary of Zi'TaH [FFXI] Song of the Ancients (Atonement) [NieR: Automata, but also FFXIV: Shadowbringers] Piano: Serenity [FFXIV: A Realm Reborn] Band: Locus [FFXIV arrangment albums] Paradigm Shift [FFXII-2] Largo from "Winter" The Seaosns [recorded by Arnie Roth playing violin] On Windy Meadows [FFXIV Version 1.0 Limsa Lominsa area theme] Noctis [FFXV - such a sweet song, I adore it] Ink Long Dry: Piano [FFXIV, played by Keiko] Insatiable [FFXIV: Shadowbringers] Selbina [FFXI] FFI: Chaos Temple [Arranged by Fantasy Reborn]
In a nutshell: Final Fantasy music is good! If you want to give it a try, you can find the Square Enix Music Channel on YouTube. There's also a lot of songs on iTunes and Spotify!
Title: Who’s Your Daddy? Fandom: Miami Vice Author: Cat Moon Words: 575 Characters: Rico, Sonny, Team Rating: PG Summary: Rico’s very bad day. Like really. Note: Inspired by something I saw. I can just imagine the ribbing that poor man is going to be subjected to for the foreseeable future. What have I done to you, my beloved?! 😉 Also, do not consume beverages while reading. You have been warned.
I wrote a fic for The Pitt! Not the one I had originally been meaning to write, which I do still plan to. This one was supposed to be one I knocked out over the weekend, but it got quite a bit longer. Here it is.
a woman can't survive by her own breath alone (7491 words) by raven Fandom: The Pitt (TV) Relationships: Melissa "Mel" King/Trinity Santos, Trinity Santos & Dennis Whitaker, Michael "Robby" Robinavitch & Trinity Santos Characters: Melissa "Mel" King, Trinity Santos, Dennis Whitaker, Michael "Robby" Robinavitch Additional Tags: Trinity Santos and Dennis Whitaker are Roommates, Trinity Santos is Bad at Feelings, Canon Lesbian Character, references to past sexual abuse :
“I don’t need a fucking script, Huckleberry!” Trinity says, furious. “I can ask a girl out, jesus.”
“I mean, that’s weird,” Whitaker says. “Because you haven’t. Like, that’s what this entire conversation is about.”
Wrapping up edutainment month, I played Wagotabi, a RPG designed to teach you basic Japanese. I wanted to give the game a fair evaluation so I started way in advance and have played short sessions every day (their recommendation for optimal memorization). As of today I've played for 35 hours across 50 days, and I've completed all the available content so far. The game is in early access and more content is planned for the future, though there isn't a set timeline.
The game's story is that you're a student traveling to Japan to learn from the Japanese Masters of each prefecture. (So far only Kagawa and Okayama are available.) This requires a series of quests that involve searching for objects from Japanese folklore. Along the way you learn a few words and points of grammar at a time, immediately using them to talk to NPCs, figure out where to go for side quests, buy food and drinks, and solve puzzles.
I'm reading it very very slowly and in little bits, and I'm enjoying it a lot. I have a bunch of these lined up for if I ever, you know, get my mojo back.
The Scarlet Pimpernel by Baroness Orczy
This is the Georgette Heyer Readalong gang's current Readalong book - we discuss it in a chat on Sunday evenings. I can safely say I would not be reading it otherwise; a slow, analytical read doesn't show it in its best light, and I'm too tired these days to read a book in a sitting overnight when I ought to be asleep but am actually eating cereal out of the bag and desperately trying to find out what happens to Hero McHeroface.
Unveiled by Courtney Milan
I finished this and fully intend to write about it sometime. But I liked it, anyway.
Audiobooks:
I started Gideon the Ninth by Tamsin Muir but it was too dark for me in early January, so then I switched to re-listening to seven Murderbot books in a row, which was lovely, and A Civil Contract by Heyer which I find very reliable for going to sleep. I started re-listening to two Emma Orchards but got distracted and switched to Temeraire because the publisher had re-issued the 4th one with the missing audio restored. I first read a Temeraire book in June 2008 and I've been rereading every so often since, and they are just reliably great. I'm interspersing those with Kowal's "Lady Astronaut" books (which I CANNOT fall asleep to because they are too exciting and so is the narration / performance).
Also, I've listened to 3 chapters of The Scarlet Pimpernel from the Gutenberg Project and I was very impressed. I must see what else they have.
When Grenell instructed me to “get rid of” the center’s permanent art collection because we needed new art to adorn the building’s walls after its renovation, I was taken aback by his cavalier attitude. If the donors of the works didn’t want to pay for their removal, he said, we could put them up for auction or give them away. My mind raced immediately to the eight-foot, 3,000-pound brass bust of President Kennedy standing in the Grand Foyer. Designed by the sculptor Robert Berks, it is surely the most significant item in the center’s collection. When I reported the order to another top leader, his eyes grew wide; he told me not to do anything, and said his office would handle it. I can only hope that the bust—and all the other works—will be safe when the center closes its doors....
I do not have the link for the interview with the insider who talked about artworks being taken down, thrown out, sold under the table. I am looking; if I find it I will post it.
The wind is still in the east, and full of willow fluff. There has been so much dust and pollen on the car windscreen that I ran out of screenwash yesterday and had to top it up. The sun keeps shining, and the daytime temperature has been up in the low 20s C, which is just too warm for April. But I believe the Bank Holiday weekend will work its usual magic, and bring us some much-needed rain.
Decided suddenly, at lunchtime, to make a break for it, and took a half day holiday to go wandering round the gardens at Holme, photographing things blowing in the wind...
bnha_fans is hosting another Themed Rec Fest to celebrate Dreamwidth this year :) If you're a fan of Boku no Hero Academia/My Hero Academia, consider popping by to share your recs and enjoy other members'!
So lately I've been going to bed between 9pm and 10pm, partially due to Dog, partially out of boredom or tiredness. This means I have ALSO been getting up early. Well, last night I stayed up until past 11pm, doing the new Main Scenario Quests in Final Fantasy XIV, which meant I was TIRED when finished and went straight to bed rather than post this.
1. one creative thing I did today
Nada, it's patch day! Okay, I did answer one question on Ravelry. But I didn't do any creative work myself because I didn't have time. I'm fine with this.
2. one thing I'm proud of today
Well. I had intended to get up early and do the Alliance Raid before starting work, but then I didn't sleep well and got up later than intended. I considered doing the raid anyway, because I *do* set my own hours and thus they are flexible, but I thought, "Wouldn't you feel better doing the raid after having gotten some work done, so raid is now a reward?" So I chose to do work first. I'm pretty pleased with myself for having done so.
3. video game progress
PATCH DAY PATCH DAY PATCH DAY!!!! I did indeed do the Alliance Raid in the afternoon, and then MSQ after dinner. I had fun with both, but think I enjoyed the raid more (though MSQ's trial was FUN). This is not to say MSQ was bad! Just that the raid hit more of my pleasure centers from being a former FFXI player in its heyday.
I must link this tumblr post, which lassarina shared with us. It's about the recent keynote, not the patch:
Yoshi P should bring back Alaimbert of the Spiked Butt as a boss and give him a move called Butt Slider so he can say to fans: "Well? This is what you asked for, right?"
And now, SPOILER TIME! Here's my notes and reactions from the patch.
First up, alliance raid. This is very detailed, listing the bosses you face and some of their moves, so SPOILERS AHOY!
Alliance Raid SPOILERS Alliance Raid clear! I rolled 99 on minion, whee!
first boss is Shantotto - There is no trash before her. She is quite formidable, as one might expect. I didn't recognize the music but I'm guessing it's from A Shantotto Ascension, an add-on scenario. I was tripped up by two mechs. First, she puts BLM's uh, sigil thingy they stand in, all over the arena. You need to dart into the one she's in and then follow her to other ones quickly. I didn't realize this at first and died. Also died twice to a move that I thought was a symbol that meant action was happening ON ME to the ENTIRE RAID, but I think everyone sees it on themselves? It's a wind move. Before she does it, she days a Tremor or Quake move that juts out pieces of the arena, you have to go in an alcove so you don't get blown away. This really confused me and I panicked first time and just stood there because it looked like it would affect EVERYONE and I didn't know the safe place to stand, if that makes sense. I finally got it after getting blown off a second time. Lots of deaths in this one, and I basically floor tanked.
next is Aht Urghan: BESIEGED!!! I was squeeing because I loved Besieged back in the day. It's a server-wide battle people can join and fight in. This is just a series of trash, but harder than normal trash.
then you get transported to Nzyul Isle and face Alexander, the boss of the Treasures of Aht Urhgan expac, leading someone to say "HOW MANY TIMES DO I NEED TO KILL YOU?" hahaha. I felt most of the moves for him were self-explanatory, just had difficulty DOING them. Wifh practice I should do better.
Next up is the Ru'met Gardens area where first you have some trash, but again, a little more difficult. There are pot-like enemies (not magic pots, more like obelisks I guess but we always called them pots). They have eye-like symbols painted on them, and just like FFXI, will do an attack in the direction they're gazing, so stay out of the AoEs,. I'd focus on them first. They're a Ae'ryn (SP?) add too, but that is not that bad. The pots are worse.
next boss is Promathia, the final boss of the Chains of Promathia expansion. - During the middle of this fight, you're transported/shifted to Promyvions, a dark creepy area. You will be fighting adds named Memory Receptacles. They do a move called Empty Seed, a knockback that you need to position yourself so you end up in one of the four corner walls. Besides that, this fight has a LOT of dodging, so stay nimble
last boss Phase 1 is Shinryu. Unfortunately, I had technically difficulties and blackscreened after the CS, so I missed the phase 1 fight (I had to crash the game and get back in). 🙁 I did make it back for second half! I won't spoil transition cutscene or final form, but again, there is a lot of dodging, and I think some moves will feel a little familiar.
I would be happy to go again with anyone who wants company ❤️
OMG I GOT CASTING HANDS TOO!! I had some RDMs in the party so I didn't expect to get it, with my poor roll. but yay!
also the cutscenes are gorgeous
And here's some reactions to MSQ:
MSQ reactions! SPOILERS! first quest, bit of snark: man am I glad my glam is the Isle Explorer's outfit with the backpack so that when I retrieved the key, I could pretend I was pulling it out of the backpack and not my ass
still first quest: okay, what's with the dirt on Tataru's nose? It was immediately noticiable to me. guess I play more and see if they explain it!
second quest: dungeon already? okay then
post dungeon, on moon - livingway: "I don't foresee any major problems." gate: ROAR!!! Livingway: "Oh. Nope. We're doomed." I laughed very much at her delivery of that
unlocked trial, MUSIC TIME!!!! <3!!. Also, I chose the "no time to explain!" answer to Zero's "What are you doing here?" and she said "Leave it to you to state the obvious." and I laughed at that, too. I knew we'd see her again, but glad we ARE, because I missed her
whaaaat, why is queue 30 minutes? I expected a fast queue, but I guess everyone's hitting it at the same time and clogging the servers, boo
trial over: that was fun, and I don't think I died once, YAY!
I might natter more about it later, but right now I have to get ready for gym with mom.
“I have a grievous wound in my heart and maybe through the “Bintel Brief” I will find relief” (Letter-writer, 1906).[1]
Just as “Ask Amy,” “Ann Landers” and more recently “Hello Hayes” aim to help people (usually young and often female) work through problems in a seemingly private and starkly public space, A Bintel Brief (literally meaning “a bundle of letters”) provided a non-physical space for vulnerability among Jewish immigrants in the early twentieth century. A Bintel Brief was a featured column in Der Forverts (The Forward), a newspaper founded in 1867 by Yiddish-speaking socialists who aimed to elevate Yiddish to a political language. Der Forverts editor Abraham Cahan created the Bintel Brief column in 1906 to reveal “the interesting nooks of people’s souls.”[2] From letters about the aesthetic appearances of couples – one letter-writer complained he is too tall and the girl he liked was too short – to early twentieth-century “trauma dumps,” Bintel Brief editor Abraham Cahan responded to a variety of concerns from Jewish immigrants with varying levels of sympathy. Far from being a neutral space, Bintel Brief functioned as a conversation where norms were actively negotiated.
Cahan provided a medium for immigrants to ask difficult questions, discuss their futures, and decide on important aspects of their lives. Letter-writers often asked political or religious questions arising from their personal experiences, revealing a middle ground between the private and public. For example, one letter-writer asked who they should marry as a “freethinker” in a sea of Orthodox families. Through Bintel Brief, Cahan answered men and women with gendered responses, providing sympathy for men who expressed frustration with women while leaving little room for women who acted outside of the status quo.
Abraham Cahan, editor of Der Forverts. (Courtesy Wikimedia)
Scholars of Jewish immigrant life have, in fact, identified many of the same gendered tensions that emerge in these letters, though not always through the specific lens of “himpathy.” Historians such as Hasia Diner, Jenna Weissman Joselit, and Paula Hyman have explored how Eastern European Jewish immigrants negotiated shifting expectations around marriage, labor, and gender roles in the United States. Diner emphasizes the economic centrality of women’s wage labor alongside persistent expectations of domestic responsibility, while Hyman highlights the tensions between traditional family structures and emerging models of American womanhood. Joselit, similarly, demonstrates how advice literature and popular media – including newspapers like Der Forverts – served as key sites where these norms were debated and enforced.[3] Yet, while this scholarship acknowledges the presence of gendered double standards, it has not fully accounted for the asymmetrical distribution of sympathy evident in advice columns like Bintel Brief. By applying Kate Manne’s concept of “himpathy,” this essay builds on and extends existing historiography, offering a more precise framework for understanding how emotional validation itself functioned as a mechanism of gendered power. Through the following illustrative examples, we can see how Bintel Brief, while being a space for vulnerability and openness, reinforced misogyny amongst early twentieth-century Jews.[4]
In one 1906 letter, a letter-writer described being overworked, with a wife who was ill at home. He returned home from a long day at work, frustrated with their economic position, his wife’s woes, and her “ behavior.” He wrote, “[m]y wife’s singing and talking drove me insane. Like a madman I ran to the door and locked it. I leaped to the gas jet, opened the valve, then lay down in the bed near my wife and embraced her. In a few minutes I was nearer death than she.” The letter writer then described how his wife cried out for water. He changed his mind, got up, and took his wife to the hospital, where she recovered for two weeks. The letter-writer struggled with whether he should tell his wife and referred to his murder-suicide attempt as “what almost happened to us.”[5] Cahan responded to the man sympathetically, or “himpathetically,” to use Kate Manne’s terminology from her groundbreaking work Down Girl: The Logic of Misogyny.
Manne argues that misogyny is not individual hatred but a social reinforcement tool to put women who move outside their assigned gender roles back into their places. Within this logic of misogyny, Manne identifies “himpathy” as the disproportionate sympathy towards men who harm women.[6] The columnist responded to the letter-writer himpathetically, claiming “this letter depicting the sad life of the worker is more powerful than any protest against the inequality between rich and poor.” Cahan advised that he should not tell his wife that he almost ended both their lives. Cahan writes, “this secret may be withheld from his beloved wife, since it is clear he keeps it from her out of love.” Here, the columnist displays a disproportionate amount of sympathy for a man who attempted to kill his wife and himself, because he believes that the man loves his wife.
The columnist shifts his tone when responding to female letter-writers. Also in 1906, a woman described how after losing her husband, whom she “loved in every sense of the word,” her late-husband’s best friend kissed her in the carriage leaving her late-husband’s funeral and proclaimed his own love for her. She felt guilty but “succumbed to temptation.”[7] When recounting the story to her friends, her girlfriend suggested she marry this friend, as he would be a good husband and father to her daughter. Confused, she wrote to Bintel Brief, desperate for advice and conflicted over her feelings of passion and grief.
Compared to the letter-writer’s friends, the columnist was not so sympathetic. He wrote that
[t]he woman’s excuse that she was unable to protest against the passionate advances of her husband’s friend is a weak one. Better if she had opened the carriage door and asked him to get out. There is no excuse for the disgusting behavior of the young man. He should not have acted so shamefully after his friend’s death. It is possible the widow is making a mistake in deciding to marry him, because it is doubtful whether she can be happy with such a man.[8]
The columnist shows a lack of empathy for the woman in terms of the kiss and how this man took advantage of their proximity during mourning time, claiming she should have rejected the approaches of her late husband’s best friend. But, this response fails to take into account the emotions the letter-writer includes: the confusion of grief and love manifesting simultaneously, the societal pressures to remarry, and the empathy of her friends that she must make this decision so soon after the death of her husband.
Taken together, these letters and responses reveal that Bintel Brief was not simply a benevolent advice column or an immigrant confessional but a moral forum in which power, gender, and ideology were actively negotiated. While columnist and editor Abraham Cahan envisioned the column as a window into “the interesting nooks of people’s souls,” those nooks were filtered through deeply gendered assumptions about responsibility, desire, and suffering.[9] Men’s anguish was met with expansive sympathy, even when that anguish culminated in violence. Women’s vulnerability, by contrast, was narrowed into questions of self-control, propriety, and moral failure, leaving little room for grief, coercion, or emotional complexity. This analysis is not based on isolated examples alone. A broader reading of Bintel Brief letters from the early twentieth century reveals a recurring pattern: male letter-writers are frequently granted interpretive generosity, even when describing harmful behavior, while female correspondents are more often judged against rigid moral expectations. These two cases, then, are not anomalies but rather represent a wider discursive tendency within the column, underscoring how consistently gender shaped the boundaries of empathy in immigrant public culture.
Ultimately, Bintel Brief functioned as a liminal space between the private and the public, where immigrants tested the limits of confession, modernity, and moral authority. The letters expose not only the psychic toll of migration and labor but also the uneven distribution of empathy that structured communal life. The columnist tended to legitimize men’s pain and, by contrast, discipline women’s suffering. By paying attention to these subtle discrepancies, we can better understand how power operated within even the most seemingly compassionate corners of the immigrant press. Gender can serve as a tool for historical analysis by illuminating social hierarchies built around unspoken and internalized beliefs about masculine and feminine behavioral norms.[10]
Notes
Reprinted and translated from the original letter in Issac Metzker, “A Bintel Brief: Sixty Years of Letters from the Lower East Side to the Jewish Daily Forward,” (Doubleday, New York: 1971), 45. ↑
Andy Carvin, “How ‘a bundle of letters’ became a cornerstone of life advice for American Jews,” (The Forward: 2026). ↑
Hasia Diner, Lower East Side Memories: A Jewish Place in America (Princeton, NJ: Princeton University Press, 2000); Paula Hyman, Gender and Assimilation in Modern Jewish History: The Roles and Representation of Women (Seattle: University of Washington Press, 1995); Jenna Weissman Joselit, The Wonders of America: Reinventing Jewish Culture, 1880–1950 (New York: Hill and Wang, 1994). ↑
Please note that I am using the term ‘misogyny’ from Kate Manne’s Down Girl: The Logic of Misogyny, (Oxford University Press, 2019). She argues misogyny is not individual hatred but rather a social reinforcement tool, meant to keep women in established roles in society. Misogyny in this argument seeks to restore the ‘status quo’ when women step outside of their gendered roles. I am not arguing that Abraham Cahan’s own misogyny fueled hatred towards women; rather, he, like many others, took part in misogyny as a social reinforcement tool. ↑
Issac Metzker, “A Bintel Brief: Sixty Years of Letters from the Lower East Side to the Jewish Daily Forward,” (Doubleday, New York: 1971), 54. ↑
Kate Manne, Down Girl: The Logic of Misogyny, (Oxford University Press, 2019). ↑
She does not specify in the letter exactly what this means. ↑
Issac Metzker, “A Bintel Brief: Sixty Years of Letters from the Lower East Side to the Jewish Daily Forward,” (Doubleday, New York: 1971), 46. ↑
Andy Carvin, “How ‘a bundle of letters’ became a cornerstone of life advice for American Jews,” (The Forward: 2026). ↑
See Joan Scott, “Gender: A Useful Category of Historical Analysis,” The American Historical Review 91, no. 5 (1986): 1053–75, for a further discussion of how gender is a tool that reveals how power works. ↑
Featured image caption: A man reads Der Forverts (The Forward), a Yiddish newspaper, in 1946. (Courtesy Wikimedia)